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2008年12月30日 星期二
Summary:As the novel opens, readers are told that Eddie, unsuspecting, is only minutes away from death as he goes about his typical business at the park. Albom then traces Eddie's world through his tragic final moments, his funeral, and the ensuing days as friends clean out his apartment and adjust to life without him. In alternating sections, Albom flashes back to Eddie's birthdays, telling his life story as a kind of progress report over candles and cake each year. And in the third and last thread of the novel, Albom follows Eddie into heaven where the maintenance man sequentially encounters five pivotal figures from his life (a la A Christmas Carol). Each person has been waiting for him in heaven, and, as Albom reveals, each life (and death) was woven into Eddie's own in ways he never suspected. Each soul has a story to tell, a secret to reveal, and a lesson to share. Through them Eddie understands the meaning of his own life even as his arrival brings closure to theirs.
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Summary:It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runwaymagazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoliand my driver has vanished. Vanished! Find him immediately!" This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work forThe New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Pradafocuses on the outrageous Miranda Priestly, and she's an irresistible spectacle
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Summary:A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, each the other's world entire, are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.Download this book(pdf):http://www.ziddu.com/download/3052080/CormacMcCarthy-TheRoad.pdf.htmlDownload this book(txt):
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2008年12月17日 星期三
Summary:Atossa Leoni, who is German-born of Afghan ancestry, was clearly chosen because she can pronounce all the Afghan words—a big plus, but it's the only plus in this bad reading. Dropping her voice on the last word of every sentence, her phrasing is regularly rendered ungrammatical by breaks at the wrong points. Her narrow vocal range makes for a dull and often difficult listening experience. Despite the reader, the book holds the listener thanks to Hosseini's riveting story—an in-depth exploration of Afghan society in the three decades of anti-Soviet jihad, civil war and Taliban cruelty. He impels us to empathize with and admire those most victimized by Afghan history and culture—women. Mariam, a 15-year-old bastard whose mother commits suicide, is married off to 40-year-old Rasheed, who abuses her brutally, especially after she has several miscarriages. At 60, Rasheed takes in 14-year-old Laila, whose parents were blown up by stray bombs. He soon turns violent with her. Although Laila is united with her childhood beloved, the potential return of the Taliban always shadows their happiness.
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Summary:The Kite Runner follows the story of Amir, the privileged son of a wealthy businessman in Kabul, and Hassan, the son of Amir's father's servant. As children in the relatively stable Afghanistan of the early 1970s, the boys are inseparable. They spend idyllic days running kites and telling stories of mystical places and powerful warriors until an unspeakable event changes the nature of their relationship forever, and eventually cements their bond in ways neither boy could have ever predicted. Even after Amir and his father flee to America, Amir remains haunted by his cowardly actions and disloyalty. In part, it is these demons and the sometimes impossible quest for forgiveness that bring him back to his war-torn native land after it comes under Taliban rule. ("...I wondered if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.")
Some of the plot's turns and twists may be somewhat implausible, but Hosseini has created characters that seem so real that one almost forgets that The Kite Runner is a novel and not a memoir. At a time when Afghanistan has been thrust into the forefront of America's collective consciousness ("people sipping lattes at Starbucks were talking about the battle for Kunduz"), Hosseini offers an honest, sometimes tragic, sometimes funny, but always heartfelt view of a fascinating land. Perhaps the only true flaw in this extraordinary novel is that it ends all too soon
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2008年12月15日 星期一
Summary: In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next.Download this book(pdf): http://www.ziddu.com/download/2933805/StephenieMeyer-BreakingDawn.pdf.htmlDownload this book(txt):
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2008年12月14日 星期日
Summary: For those who believe true love lasts beyond this physical plane, P.S. I Love You is a jewel in the romantic-movie crown. With elements of Ghost, Heaven Can Wait, and My Life, the film is an unabashed valentine to the notion of lasting (everlasting?) love. Hilary Swank is Holly, a deeply happy lass married to the most impossibly adorable Irishman on the planet, Gerry (Gerard Butler). When an illness takes him from her, Holly spirals into depression. Then, as if from beyond the grave, communications, gifts, and remembrances from Gerry begin to appear--gestures he'd planned knowing his death was coming. The "communications" with her dead husband could threatened to keep Holly in past, yet they begin to pave a path into her future.
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Summary:A complex web of thoughts was weaving itself in the bear king's mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch's insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child.Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest "preemptive absolution" should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than "a sacred task."
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Summary: As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
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Summary: As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the notion that it was concerned with magic, with the movements of the stars and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had daemons just as humans did, and experimental theology involved talking to them.Not that Lyra spends much time worrying about it; what she likes best is "clambering over the College roofs with Roger the kitchen boy who was her particular friend, to spit plum stones on the heads of passing Scholars or to hoot like owls outside a window where a tutorial was going on, or racing through the narrow streets, or stealing apples from the market, or waging war." But Lyra's carefree existence changes forever when she and her daemon, Pantalaimon, first prevent an assassination attempt against her uncle, the powerful Lord Asriel, and then overhear a secret discussion about a mysterious entity known as Dust. Soon she and Pan are swept up in a dangerous game involving disappearing children, a beautiful woman with a golden monkey daemon, a trip to the far north, and a set of allies ranging from "gyptians" to witches to an armor-clad polar bear.
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Summary: Following the colossal battle against the Empire’s warriors on the Burning Plains, Eragon and his dragon, Saphira, have narrowly escaped with their lives. Still there is more at hand for the Rider and his dragon, as Eragon finds himself bound by a tangle of promises he may not be able to keep.First is Eragon’s oath to his cousin Roran: to help rescue Roran’s beloved, Katrina, from King Galbatorix’s clutches. But Eragon owes his loyalty to others, too. The Varden are in desperate need of his talents and strength—as are the elves and dwarves. When unrest claims the rebels and danger strikes from every corner, Eragon must make choices— choices that take him across the Empire and beyond, choices that may lead to unimagined sacrifice. Eragon is the greatest hope to rid the land of tyranny. Can this once-simple farm boy unite the rebel forces and defeat the king?
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Summary: Surpassing its popular prequel Eragon, this second volume in the Inheritance trilogy shows growing maturity and skill on the part of its very young author, who was only seventeen when the first volume was published in 2003. The story is solidly in the tradition (some might say derivative) of the classic heroic quest fantasy, with the predictable cast of dwarves, elves, and dragons--but also including some imaginatively creepy creatures of evil.The land of Alagaesia is suffering under the Empire of the wicked Galbatorix, and Eragon and his dragon Saphira, last of the Riders, are the only hope. But Eragon is young and has much to learn, and so he is sent off to the elven forest city of Ellesmera, where he and Saphira are tutored in magic, battle skills, and the ancient language by the wise former Rider Oromis and his elderly dragon Glaedr. Meanwhile, back at Carvahall, Eragon's home, his cousin Roran is the target of a siege by the hideous Ra'zac, and he must lead the villagers on a desperate escape over the mountains. The two narratives move toward a massive battle with the forces of Galbatorix, where Eragon learns a shocking secret about his parentage and commits himself to saving his people.
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2008年12月13日 星期六
Summary: Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape. In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help
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2008年12月6日 星期六
Summary:The legions of readers who are hooked on the romantic struggles of Bella and the vampire Edward will ecstatically devour this third installment of the story begun in Twilight, but it's unlikely to win over any newcomers. Jake, the werewolf met in New Moon, pursues Bella with renewed vigilance. However, when repercussions from an episode in Twilight place Bella in the mortal danger that series fans have come to expect, Jake and Edward forge an uneasy alliance. The plot patterns have begun to show here, but Meyer's other strengths remain intact. The supernatural elements accentuate the ordinary human dramas of growing up. Jake and Edward's competition for Bella feels particularly authentic, especially in their apparent desire to best each other as much as to win Bella. Once again the author presents teenage love as an almost inhuman force: "[He] would have been my soul mate still," says Bella, "if his claim had not been overshadowed by something stronger, something so strong that it could not exist in a rational world." According to Meyer, the fourth book should tie up at least the Edward story, if not the whole shebang. Ages 12-up. (Aug.) Copyright 2007 Reed Business Information
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Summary:Grade 9 Up–Recovered from the vampire attack that hospitalized her in the conclusion of Twilight (Little, Brown, 2005), Bella celebrates her birthday with her boyfriend Edward and his family, a unique clan of vampires that has sworn off human blood. But the celebration abruptly ends when the teen accidentally cuts her arm on broken glass. The sight and smell of her blood trickling away forces the Cullen family to retreat lest they be tempted to make a meal of her. After all is mended, Edward, realizing the danger that he and his family create for Bella, sees no option for her safety but to leave. Mourning his departure, she slips into a downward spiral of depression that penetrates and lingers over her every step. Vampire fans will appreciate the subsequently dour mood that permeates the novel, and it's not until Bella befriends Jacob, a sophomore from her school with a penchant for motorcycles, that both the pace and her disposition begin to take off. Their adventures are wild, dare-devilish, and teeter on the brink of romance, but memories of Edward pervade Bella's emotions, and soon their fun quickly morphs into danger, especially when she uncovers the true identities of Jacob and his pack of friends. Less streamlined than Twilight yet just as exciting, New Moon will more than feed the bloodthirsty hankerings of fans of the first volume and leave them breathless for the third.–Hillias J. Martin, New York Public Library
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Summary: Grade 9 Up–Headstrong, sun-loving, 17-year-old Bella declines her mom's invitation to move to Florida, and instead reluctantly opts to move to her dad's cabin in the dreary, rainy town of Forks, WA. She becomes intrigued with Edward Cullen, a distant,stylish, and disarmingly handsome senior, who is also a vampire. When he reveals that his specific clan hunts wildlife instead of humans, Bella deduces that she is safe from his blood-sucking instincts and therefore free to fall hopelessly in love with him. The feeling is mutual, and the resulting volatile romance smolders as they attempt to hide Edward's identity from her family and the rest of the school. Meyer adds an eerie new twist to the mismatched, star-crossed lovers theme: predator falls for prey, human falls for vampire. This tension strips away any pretense readers may have about the everyday teen romance novel, and kissing, touching, and talking take on an entirely new meaning when one small mistake could be life-threatening. Bella and Edward's struggle to make their relationship work becomes a struggle for survival, especially when vampires from an outside clan infiltrate the Cullen territory and head straight for her. As a result, the novel's danger-factor skyrockets as the excitement of secret love and hushed affection morphs into a terrifying race to stay alive. Realistic, subtle, succinct, and easy to follow, Twilight will have readers dying to sink their teeth into it.
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Summary:As the novel opens, readers are told that Eddie, unsuspecting, is only minutes away from death as he goes about his typical business at the park. Albom then traces Eddie's world through his tragic final moments, his funeral, and the ensuing days as friends clean out his apartment and adjust to life without him. In alternating sections, Albom flashes back to Eddie's birthdays, telling his life story as a kind of progress report over candles and cake each year. And in the third and last thread of the novel, Albom follows Eddie into heaven where the maintenance man sequentially encounters five pivotal figures from his life (a la A Christmas Carol). Each person has been waiting for him in heaven, and, as Albom reveals, each life (and death) was woven into Eddie's own in ways he never suspected. Each soul has a story to tell, a secret to reveal, and a lesson to share. Through them Eddie understands the meaning of his own life even as his arrival brings closure to theirs.
